Wednesday, March 18, 2015

CONTEXT

After class yesterday some members articulated that they are overworked.  All I can do at this stage is offer my empathy and implore you to manage your time + yourself wisely.  You are after all 3rd year students.  Another issue that was highlighted is the time it takes to complete the task because of the unfamiliarity with the tools required.  The response to this is that you have had training in the tools required to do this class.  In 1st + 2nd year you were required to draw.  This was then supplemented by the adobe training facilitated by Nick R and AutoCAD training.  So the claim that you are unfamiliar with the tool is unfounded.  That being said, I will continue to conduct the class as if you have had some training in the tools required to meet class expectation.  I am in the process of setting up a meeting with the staff + you soon to address these issues so that we are all represented democratically.  I am hoping to have this meeting during class on 24 March.  So feel free to bring your concerns then.

To return to arpl3003_2015, the Course Outline states:
Week 12
17-Mar
Local + Global
Pin Up
Documentation
Week 13

24-Mar
Gender
Pin Up
Matrix_Stage1
Week
14
31-Mar break
CONSOLIDATION



task_4 – from somewhere

 – from somewhere to your space + place

Premise
Graphically narrate the journey from somewhere to your place and begin to employ the following:

  •   plan
  •   section
  •   elevation
  •   line + shape -- to detect what we see and develop design tools
  •   context -- terms and conditions of urban phenomena

The task is to construct a synopsis of a visual narrative of the journey from somewhere to what you have identified as place + space in task_3.  Think of an underlying theme to support your narrative.  David Campbell states:
For someone developing a visual story, the most important thing to ask is ‘what is the story you really want to tell?’ Answering that can mean working through these questions:
§  what is the issue?
§  what will be the events/moments?
§  if needed, who are the characters?
§  what is the context?

The relationship between story, event and issue requires knowledge of the context above all else. That demands research because not everything that drives photography is visual.
and supports his constructs with if one were following this classical structure, then the key stages in structuring a narrative would include:
  • introducing the location
  • giving the story a ‘face’
  • letting people tell their own story
  • contextualizing those stories
  • following a dramatic form
Requirement
What you are required to do is generate a synopsis [storyboard] of your narrative using text, photography and lines which will result in creating, with finer detail, the narrative which you will explore next term.  Implement the themes of space, place, local + global and gender [reading will be emailed to you].  Use the bachelard_poetics_space reading to frame your synopsis.  To enrich your narrative, weave into it these four interrelated concepts:
  • structure
  • form
  • space
  • performance
Most urban systems display some kind of spatial ‘ordering system’.  In other words, human activities seldom occur randomly in space.  Rather, they respond to a ‘logic’ that is contained within a spatial ‘ordering system’, even if this ‘logic’ is in conflict with (or different from) ‘official understandings’ of a place.  Thus the aim of this phase of the project is thus to explore, uncover, and critically assess the existing spatial ‘ordering system’ your place + space as you narrate your journey within the city.

Deliverable
A minimum of seven [7] A4 landscape sheets of your synopsis.  These may be standalone sheets or a pdf file.

Hand in:           24 March 2015, A5 studio  14:00

Remember that this is Matrix_Stage1 of 3 of the submission and all there stages make up 20% of your final mark.

Friday, March 13, 2015

task_3 comments

godsell – excellent cover page which communicates what is to come.  context page is graphically crisp. the black drop pins are difficult to see. yellow would have worked better.  in future when you submit a project, have a cover page, with contents page + a conclusion page.  always!  this is not necessary when you orally present a digital copy.  be careful with text direction.  it is better to write in a sentence as you have done on the cover page, the context page with the vertical text is disturbing to read.  the line, ‘base maps courtesy . . ‘ should be horizontal, much smaller and should be a reference at the bottom of the images.  the introduction of colour on p7 is welcome and brings another dimension to the project, however on p8, be careful of descriptive text that is capitalised on each line. the capitalisation of ‘of, colour, and’ should not be.  p13 chicken image is difficult to read the text.  the image and the text should be separated. the chickens are marred by the text.  overall, a well presented project, infused with beautiful visceral imagery.  well done.  8.3/10

thantsha – difficult cover page to access.  what is the title?  what is pii communicating?  do not place images over images.  as intriguing p2 is, what is the metaphor saying? this needs to be communicated explicitly.  when you construct your pages, make the running text aligned to the left and do not justify it unless you kern [look this up] it – like a graphic designer would do. it the moment it appears clumsy and it is squashed up against the image.  try and keep projects simple and structured.  the font goes from lowercase to uppercase, depending on the page. why?  images are stretched or squashed with some sourced and others not.  pages have text and others not.  overall the project is poorly expressed and it lacks proper structure.  the document exhibits that the author was not in control and expresses sloppy work, even though there are moments of poetic vigour.  you need to work much tighter and always use arial font.  in future, files should not labelled like this: arpl3003_2015_project_3_favourite place_seremi_thantsha, but like this: arpl3003_2015_task_3_seremi_thantsha  5/10

zuma --  too much unnecessary text on the cover page.  why?  john moffat pond along with the authors name at the bottom of the image, where the paving is, would have suffice and be much crisper.  source on p2?  do not place images on images as done throughout the document, this also makes the text inaccessible.  what does this mean: the john moffat building was entertained in the mid 1950’s? why the use of the word entertain?  why not mention the architect and the political era the building was, according to you, “entertained”?  what is p9 + p13 articulating?  images need to be sourced.  clearly you and thantsha worked together and thus influenced each other.  it is a pity that you both adopted bad habits like placing images on images and using the terrible colour campus map., which in your case is distorted.  you need to work much tighter and always use arial font.  project should always have a contents and conclusion page.  5/10

maphumulo – project beginning is the contents page.  why is there no cover page?   a contents page with headings should always be complemented with page numbers.  the headings are poetic, especially the last three – interaction, diversity + texture.  keep this residue always present in your future work.  always do a spellcheck of your work to avoid odd sentences like this: kitchner’s fits appropriately in the braamfontein and johennesburg tas a city.  the images narrating the project are beautiful, textured and vibrant – well chosen.  but are they all yours? images should always be sourced, even if they are yours.  the permeabilty and accessibility :internal page is marred by the drawing.  it is terrible!  you can do much better and invest more time in drawing graphics which have their own sense of aesthetic to compliment the page as opposed to detract from it.  this is what your drawing does.  the colour coding circle thing is welcome.  in future this can be used to increase the visual expression of the page. p8 + 10 [especially 10] needs text to guide through the identity diversity bit like you’ve done in texture of place.  project needs a cover, conclusion + reference page.  overall, a visually striking and poetic body of work, which uses colour, texture and vibrancy as a strong base to propel a solid narrative.  you need to push yourself harder.  7.3/10

baloyi – a fantastic cover page marred by unnecessary text. would have like to have seeing you using the title in a more creative manner for the cover.  see accompanying image.  preface page is welcome and project could have done with a contents page.  where is this from: spaces become places as we get to know them better and endow it with value, in the process of creating places people visualize, memorize and thus stabilize constitutive human goods such as the sense of belonging, social integration, purposes that give meaning to life (values) and the sense of self. these meanings can be individual and based on personal experience or they can be shared. the concept of place generally describes the relationship between people and their local spatial settings, absorbing other concepts such as place attachment, place identity and place dependence which a very key in understanding the complexity of place or sense of place?  it is a very profound paragraph which should be used a genesis for the work to come.  refrain from placing photographs on photographs.  after an amazing cover, with a thought provoking preface, the project falls flat as it is compromised by unimaginative imagery, poor layout and fuzziness.  always conclude and include a reference page.  images must be referenced and files cannot be named like this: arpl3003_2015_task_3_baloyi_me

mfusi – very good cover page which communicates the vibrancy and colour of braamfontein, but this could have been pushed further graphically. the text info at the bottom of the page detracts from the beauty of the image.  in future be mindful of this.  contents page is welcome, back meaningless without page numbers.  the black orbs would enhance the project if they have something to do with something, as opposed to being just what they currently are. that being said, the project is crisp and rich in colour and content.  it is well written and demonstrates a maturity that is welcome.  keep working this way.  the purple colour bar at the top of the page could have been muted so it is less prominent.  serial vision page is a gem, but the text cannot be a single line spanning the entire horizontal plane.  this should be a minimum of two columns.  the sentence line as it stand now, is too much to read.  the street culture image is priceless, a caption would have enhanced access.  from now onwards, do not use an underlying photograph as a template.  project lacks a conclusion and a reference page.  overall it is beautiful and displays robust engagement with the material + a fabric of the city, compelling one to confront the fact that the truth is changing.  7.5/10

ncame – a dull and unimaginative cover page.  make sure you always use arial as a font.  project lacks a contents page.  that being said, the project displays a quiet yet powerful poetic journey which is sensitively portrayed.  the material is not only soft; it is, for a lack of a better expression, just intimately beautiful.  the author succeeds in taking the reader in on a journey into the context of “jubes” – internally + externally.  in future more care should be invested in layout and referencing.  the pity is that the project terminates suddenly, without a conclusion or a reference, somewhat jarring what is strong work.  7.3/10

mutugi – an interesting cover page which could have benefitted from the omission of the word task, the number 3 and the green drapery thing farming the left and right of the image.  what is the use of this and why is it repeated in every page?  content page is required.  the intro is captivating with the definition of space + place. but why do these not recur in the project?  wim facts should mention the architects and what the space was before it was a museum.  this is a lost opportunity.  pages are too minimalistic, text would have enhanced the pages and given the project another layer of richness.  pity this didn’t happen.  the actor remains curiously unmentioned yet there are way to [present in the project to remain an enigma.  who is it, why are they in the space, what do the clothes they wear represent, why does the bag appear and reappear, why do the shoes change colour, why are they not in some images, what is the reflection about [it is a moving photograph]?  why  . . ?  the actor would have been an amazing element if we experienced the museum through their eyes as they narrated the journey for us, to then give us a conclusion. decent work which can be pushed much, much more.  7/10

gwabeni – an interesting cover page, somewhat scarred by the informing text at the bottom of the page.  next time, chose a single image and frame your project around that.  there are some really beautiful images in this project.  are they all the authors?  captions are needed.  project would have been enhanced by a contents page and consistent layout.  stick either to 2 columns or 3, do not juggle between the two, it displays a lack of control. the page titles are fantastic, especially the dialogue page.  it’s a pity we cannot access noloyiso’s story – take time to think about layout so that your project is clear and concise.  overall the work is competent, well represented with images and narrated with the sensitive care that the area represents.  well done.  just make sure you run your work through a spell check and work on layout.  project needs a conclusion and proper referencing.  7/10

guya – excellent cover page with an apt title, which is what the project is about – a piece of the city in artistic motion.  well done.  where is the contents page?  the collage of a place within a space page is very striking.  work on your layout, as in some of the pages the text is pinched by the black.  if you insist on using black pages, then make the font colour white.  the white strips where the text is written doesn't work so well.  overall the work is of strong quality.  if the project employed an appropriate layout, it would be of excellent nature.  in future, make sure you run your work through a spell check.  kudos for the conclusion and a reference page is required.  7.9/10

mandyanda – excellent cover page which could have benefitted tremendously from a specific title and a reduction of the unnecessary info – why is it important to include all that + date?  in future, if you have to have this info, infuse it in the preface or contents page. anywhere except the cover.  this has to be poetic + crisp.  find a theme, state it and then support it with imagery, as you have done on the cover.  contents page is appreciated but can be improved as in: locality map + route – 3, site – 5, space – 13, conclusion 15, reference – 16.  keep things simple and crisp.  the text on the reference page cannot space the entire length of a landscape page – this should be at least 2 columns of text.  the rest of the project is well executed and displays heightened capacity. overall a very strong and visceral project displaying a solid sense of maturity and beauty.  in future work hard to achieve crisper layout.  9/10

tsebe – a very good cover page with an appropriate title.  nice one.  fantastic contents page. is the background image yours?  in future do a spell check to avoid words like this: conclusion and summaryy.  an informative body of work which requires better layout.  work on this.  do not have images on images.  all images have to be referenced and the project has to have a conclusion plus a reference page.  the project abruptly ends.  work on a telling a compelling narrative as opposed to responding uncreatively to a brief.  take ownership of your work and push yourself.  overall the project displays capacity, but could be executed in a crisper manner with a stronger narrative.  files cannot be named like this: done.  5.7/10


nkoane – cool cover page which is missing an appropriate title.  where is the contents page?  abstract page is informative, but what are pages 2, 4, 10 + 12 about?  these need explanatory text. map on page 5 requires streetnames + other informants.  what do the white arrows signify and where exactly is this on the planet? project is somewhat sloppy, using too many colours and bizarre techniques.  keep things simple.  let the images and text do all the work.  the blue text bounded by green borders on black background on a white base is too busy and loud.  work harder on your layout and a project should always be concluded and referenced.  overall a good base, displaying capacity and latent talent. work harder to make your work shine and gracefully expressive.  5.7/10

task_3 alternative cover page example